Ghanaian actor and comedian Dr Likee has stirred conversation in the entertainment industry after stating that he played a role in writing the hit song “Kakai” for dancehall artiste Shatta Wale.
The claim adds a new twist to the history of one of Shatta Wale’s most popular songs, which was released during a peak period of his mainstream dominance and quickly became a street anthem across Ghana. “Kakai” is widely associated with Shatta Wale’s energetic style and bold lyrical delivery, helping cement his presence in the dancehall space both locally and internationally.
Dr Likee, known in real life as Akwasi Boadi, made the revelation in a recent conversation where he suggested that his involvement in the creative process of the song has not been widely acknowledged over the years. His statement has since triggered discussions among fans and industry observers about songwriting credits and collaboration practices in Ghana’s music industry.
The song “Kakai” was one of the breakout records that strengthened Shatta Wale’s brand during a period when he was consistently releasing high impact singles. It became popular not only for its catchy hook but also for its street appeal, dance routines, and heavy rotation on radio and at public events.
While Shatta Wale has historically been credited as the primary creative force behind many of his songs, the music industry often involves collaborative input from producers, co writers, and studio contributors. However, formal crediting in Ghana’s music space has long been a topic of debate, with many behind the scenes contributors often not publicly acknowledged.
Dr Likee’s claim has therefore reopened conversations about transparency and recognition in songwriting, especially within the high energy Afro dancehall genre where ideas are often developed collectively in studio sessions.
As of now, there has been no official response from Shatta Wale or his management regarding the statement. The absence of clarification has left room for speculation among fans, with some calling for more openness about the creative process behind hit records, while others question the extent of Dr Likee’s involvement.
Industry analysts note that such discussions are not uncommon in global music scenes, where disputes or clarifications over songwriting credits often emerge years after a song’s release. In many cases, these conversations lead to broader reforms in how artists document and credit contributions during production.
Despite the controversy, “Kakai” remains one of Shatta Wale’s defining songs, continuing to enjoy relevance in Ghana’s entertainment culture years after its release. It is frequently performed at shows and still resonates with fans who associate it with Shatta Wale’s rise to mainstream dominance.
For now, Dr Likee’s statement has added a new layer to the story behind the song, but until further clarification is made by the parties involved, the discussion is expected to remain part of ongoing entertainment debate in Ghana.
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