Afro dancehall star Stonebwoy has officially released his new project titled Torcher II, marking another chapter in the celebrated Torcher music era while experimenting with a new digital distribution strategy that places the album exclusively on the EVEN platform. The release signals a shift in how African artists are increasingly exploring alternative streaming channels to reach fans directly and retain greater control over revenue generated from their music.
Torcher II arrives as a follow up to Stonebwoy’s earlier Torcher project released in 2025, which featured nine tracks blending African rhythms with reggae and dancehall influences while reinforcing his reputation as one of the leading figures in Afro dancehall music. The original Torcher project included songs such as Torcher, Send Dem A Prayer, GidiGidi Fire and Deeper, and also featured collaborations with Ghanaian artists including Beeztrap, Yaw Tog, Agbeshie and Kenny Ice. The project resonated strongly with audiences and achieved notable chart success, with several songs reaching number one on Apple Music Ghana and gaining millions of streams across digital platforms.
With Torcher II, Stonebwoy is building on that momentum by delivering a new body of work that continues the narrative themes of resilience, perseverance and artistic growth that defined the first project. Early previews and teasers released on social media generated strong anticipation among fans, especially after the artist hinted that the sequel would carry a more reflective and emotionally driven sound. A previously revealed teaser track list suggested songs such as Another 360, Yire Fanfooler, Never Used To Be, Many Times, Wilderness, Blood Doesn’t Make Family and Winner featuring Jamaican dancehall artist Jahmiel and rising act 10Tikk.
The decision to release Torcher II exclusively through the EVEN platform highlights a broader shift occurring within the global music industry. EVEN is a digital platform that allows artists to distribute music directly to fans, often offering exclusive content, early access releases and unique purchasing options. Instead of relying entirely on mainstream streaming services, musicians can monetise their work directly through fan engagement and digital purchases.
For artists, this model provides an opportunity to maintain greater financial independence and stronger connections with their audience. The direct to fan approach has gained traction in recent years as musicians around the world seek alternatives to traditional streaming platforms, which are often criticised for low per stream revenue payouts. By releasing music exclusively on a platform like EVEN, artists can experiment with new monetisation models while building more dedicated communities around their work.
Stonebwoy’s move into this space reflects his growing reputation not only as a musician but also as an entrepreneur exploring innovative ways to distribute African music globally. Over the past decade, the Ghanaian artist, born Livingstone Etse Satekla, has established himself as one of Africa’s most influential reggae and dancehall performers, earning international recognition and performing at major festivals across Europe, North America and the Caribbean.
His career includes several acclaimed albums such as Grade 1, Necessary Evil, Epistles of Mama, Anloga Junction and 5th Dimension, as well as the 2024 album Up and Running. These projects have showcased his distinctive style that blends dancehall, reggae and Afrobeats influences while often incorporating Ghanaian cultural elements and multilingual lyrics.
Stonebwoy has also achieved numerous accolades throughout his career, including winning the BET Award for Best International Act Africa and multiple honours at the Ghana Music Awards. His continued success has helped position Afro dancehall as a globally recognised genre, with the artist frequently collaborating with international musicians and performing on global stages.
The release of Torcher II is therefore seen as both a creative continuation and a strategic experiment in music distribution. By partnering with EVEN for the exclusive release, Stonebwoy is testing a model that prioritises direct engagement with fans while also reinforcing his reputation as an artist willing to innovate beyond traditional industry structures.
As digital platforms continue to reshape the music industry, moves like this may influence how other African artists approach album releases in the future. With Torcher II now available to listeners through EVEN, fans around the world are gaining access to the latest chapter of Stonebwoy’s musical journey while witnessing another example of how artists are redefining the relationship between creators, technology and audiences.